Summary

“Gimme gimme at all” (1986, catalog PRT 12P 344) is a punchy slice of mid‑’80s swagger from Spider, pressed as a 12″ single that leans into big hooks, big hair, and bigger confidence. It’s the kind of record you put on when you want your speakers to strut.

About the Artist

Spider sit in that sweet spot where melodic hard rock meets glam‑era shine—a time when choruses had to land fast, guitars had to sparkle, and attitude was part of the arrangement. Like many underground acts of the period, their story is told as much through collector trails as through chart histories: Discogs activity and want‑lists keep this title circulating, especially among crate‑diggers who love overlooked ’80s pressings.

About the Record

This release is built for the format: the 12″ cut gives the band room to stretch out with a louder, wider mix than a standard 7″. Compared with earlier, rougher club‑ready rock of the era, “Gimme gimme at all” feels tailored for radio‑friendly impact—tight structures, bright guitar tones, and drums that sound like they were recorded in a very large room (or at least treated like it).

Its significance today is largely cultural: it’s a snapshot of 1986’s “more is more” production mindset, and a reminder that plenty of great songs lived just outside the mainstream.

About the Cover

The sleeve is pure time capsule. Soft‑focus band portrait, high‑contrast styling, and that logo‑stamped ball held front and center like a trophy. It’s playful and a little mysterious—almost like Spider are daring you to take the record home and find out what they’re about. Also: the sleeve art reads like “Gimme Gimme It All”, a fun little detail collectors love to debate.

About the Lyrics & Music

Lyrically, this is classic want‑it‑now rock ’n’ roll: direct, flirtatious, and built around the kind of title phrase you can shout back after one listen. Musically, expect:

• Chiming, mid‑gain guitars that favor melody over heaviness
• Big ’80s drum ambience (that crisp, airy snap)
• A chorus designed to hit like a spotlight

The A‑side is the obvious centerpiece; the flip side(s) reward repeat plays with deeper‑cut charm—exactly why 12″ singles are so addictive.

Conclusion

If you collect ’80s hard rock/glam curios, “Gimme gimme at all” is a joyful, loud, format-perfect find—PRT 12P 344 delivers that era’s energy in one clean, collectible package.

Other Recommendations

If this hits the spot, also dig for:

• Other Spider 12″ releases and compilations that surface on Discogs
• Hanoi Rocks, Ratt, Saxon (more melodic cuts), or The Sweet (later-era stompers) for a similar hook-first rush